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APR 2016 (75)

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APR 2016 (75)
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April 2016: Issue 75

NAB 2016 Edition

Now online and on paper for subscribers. 112 pages.

  • Passage from Film to Digital: Vittorio Storaro and Woody Allen on “Cafe Society”
  • Lens Designers Discuss:
    • Aurelian Dodoc, Leica
    • Dan Sasaki, Panavision
    • Motoyuki Ohtake, Sony
  • New lenses from Angenieux, ARRI/ZEISS, Canon, Cooke, Fujinon, Leica, Raptor, Scorpio, Sony, ZEISS
  • OConnor Factory Tour in Costa Rica
  • Sony Factory Tour in Thailand
  • The Rolling Stones Cuba Concert
  • Jarred Land, RED
  • Sphere, Cube, Color
  • Camera Updates
  • Lots of lenses, lighting, accessories

 

Contents FDTimes April 2016 Issue 75

 

  • Passage from Film to Digital: Vittorio Storaro, ASC, AIC………………………. 4-12
  • Passage from Film to Digital: Woody Allen, Writer-Director…………………….. 12
  • Will Arnot, SOC, Camera Operator………………………………………………………… 13
  • Simone D’Arcangelo, DIT…………………………………………………………………….. 14
  • Anthony Raffaele, Senior Colorist…………………………………………………………. 15
  • ARRI ALEXA Mini 4:3 Anamorphic………………………………………………………… 16
  • ARRI SkyPanel Software Update……………………………………………………………. 17
  • Blackmagic Design URSA Mini 4.6K………………………………………………… 18-24
  • Dr. Aurelian Dodoc Discusses Leica Cine Lenses …………………………… 25-27
  • Dan Sasaki, Panavision VP of Optical Engineering……………………………… 28-31
  • Motoyuki Ohtake on Sony Lens Design……………………………………………… 32-34
  • Sony Lens and Camera Factory Tour………………………………………………… 34-35
  • Canon 18-80 T4.4 Zoom………………………………………………………………….. 36-38
  • Canon ME200S-SH………………………………………………………………………………. 39
  • 2 New ARRI/ZEISS Anamorphic Lenses………………………………………………… 40
  • ARRI/ZEISS Master Anamorphic Flare Sets…………………………………………… 40
  • 9 ARRI/ZEISS Master Anamorphics………………………………………………………. 41
  • ARRI AUWZ 19-36 Zoom……………………………………………………………………… 41
  • ZEISS Lens Gears for Loxia, Milvus and Otus lenses………………………………. 42
  • ZEISS Loxia, Milvus and Otus sets…………………………………………………………. 43
  • ZEISS Lens Sets with Cases…………………………………………………………………. 43
  • 11 Leica Summicron-C Cine Lenses…………………………………………………….. 44
  • Leica Summicron-C Cine Lenses…………………………………………………………. 45
  • Leica SL PL Mount………………………………………………………………………………. 45
  • Leica Cine MacroLux…………………………………………………………………………… 46
  • Fujinon Super 35mm Zoom Family………………………………………………………… 47
  • Fujinon 20-120 T3.5 Cabrio XK Zoom……………………………………………….. 48-49
  • Angénieux 44-440 Anamorphic Zoom………………………………………………. 50-51
  • Angénieux Anamorphic Family……………………………………………………………… 52
  • Angénieux Anamorphic Credits……………………………………………………………. 53
  • Cooke Anamorphic/i Series…………………………………………………………………. 54
  • Cooke 35-140 Anamorphic/i Zoom……………………………………………………….. 55
  • Cooke 45-405 T4.5 Anamorphic/i Zoom………………………………………………… 56
  • Preston MDR-4 Mini……………………………………………………………………………. 57
  • IB/E Optics, Raptors, Expanders, Band Pro……………………………………………. 58
  • Sony AXS-R7 Onboard RAW Recorder…………………………………………………… 59
  • ARRI ALEXA SXT…………………………………………………………………………………. 60
  • Amira Super 16mm……………………………………………………………………………… 61
  • AJA CION Update 1.3………………………………………………………………………….. 62
  • AJA Ki Pro Ultra Update 1.2…………………………………………………………………. 63
  • Teradek SPHERE…………………………………………………………………………………. 64
  • Teradek COLR CINE……………………………………………………………………………. 65
  • Paralinx ACE………………………………………………………………………………………. 65
  • Panasonic VariCam LT……………………………………………………………………. 66-68
  • Convergent Design Apollo……………………………………………………………………. 69
  • ARRI Accessories for ALEXA Mini……………………………………………………….. 70
  • ARRI ECS Accessories……………………………………………………………………….. 70
  • SmallHDR…………………………………………………………………………………………… 71
  • ScorpiocomboHD Video Assist…………………………………………………………….. 72
  • Scorpio Stabilized Head……………………………………………………………………… 72
  • Scorpio 138-405 T4.3 Anamorphic Zoom………………………………………………. 73
  • Cameo Accessories by AbelCine…………………………………………………….. 74-75
  • Transvideo…………………………………………………………………………………………. 76
  • Aaton Digital CantarX3, Cantarem2, Cantaress……………………………………… 77
  • Tiffen Black Filters……………………………………………………………………………… 78
  • Steadicam Pilot 2 & eVo……………………………………………………………………….. 78
  • Steadicam Steadimate…………………………………………………………………………. 79
  • Lowel LEDs………………………………………………………………………………………… 79
  • Easyrig Vario 5 Strong ………………………………………………………………………… 80
  • Mole-Richardson 10K Tener LED and Vari LEDs…………………………………….. 81
  • Kino Flo Diva-Lite and Select LEDs……………………………………………………….. 82
  • cmotion……………………………………………………………………………………………… 83
  • Rosco Silk 110……………………………………………………………………………………. 84
  • Schneider Optics Filters………………………………………………………………………. 84
  • Easyfocus…………………………………………………………………………………………… 85
  • Matthews Dutti Dolly……………………………………………………………………………. 86
  • Matthews CAM Tank……………………………………………………………………………. 86
  • Wooden Camera…………………………………………………………………………………. 87
  • Orca Bags………………………………………………………………………………………….. 88
  • Movcam RED DSMC2 Kit………………………………………………………………………. 89
  • Movcam Sony FS5 Kit…………………………………………………………………………… 89
  • Cinelease Quantum 120………………………………………………………………………. 90
  • K5600 Alpha & Joker Bug-a-Beam……………………………………………………….. 90
  • Litepanels Astra 1×1 Soft Bi-Color………………………………………………………… 91
  • NAC Inc Flower Lenses……………………………………………………………………….. 91
  • Chrosziel LED Lens Projector………………………………………………………………. 92
  • Vocas………………………………………………………………………………………………… 93
  • Benro Hi Hats…………………………………………………………………………………….. 94
  • Benro MoveUp Jibs…………………………………………………………………………….. 94
  • SHAPE ICON Directors Monitor Rig………………………………………………………. 95
  • More SHAPE NAB Products………………………………………………………………….. 95
  • King Peter (DENZ) Sensor Positioning Gauge………………………………………….. 96
  • DENZ Dovetails…………………………………………………………………………………… 96
  • Foolcontrol…………………………………………………………………………………………. 97
  • Cinema Hardware……………………………………………………………………………….. 97
  • Costa Rica…………………………………………………………………………………….. 98-99
  • Vitec Videocom Costa Rica………………………………………………………….. 100-101
  • Building an OConnor 2575D………………………………………………………… 102-105
  • Jarred Land, President of RED……………………………………………………………. 106
  • Latest RED DSMC2 Cameras……………………………………………………………… 107
  • The Rolling Stones and PhotoCineRent in Cuba………………………………108-109
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