• 

 

 Contents:

ARRI ALEXA LF 4

ARRI ALEXA LF 2-Minute Pitch 5

ALEXA LF Camera Views 6-7

ALEXA LF 3-Minute Guide 8-9

Comparing ALEXA LF to ALEXA 65 10

Sensor Sizes and Mounts: SXT, LF, 65 11

Why Large Format? 12-14

Large Format Art 15

Aspect Ratio Independence 15

Stephan Schenk 16-17

Marc Shipman-Mueller 18-19

Klemens Kehrer 20

Achim Oehler 21

ALEXA LF Sensor 22-23

Building an ALEXA LF 24-26

Programming and Testing and Color Science 27

ARRI Signature Primes 28-29

Thorsten Meywald 30-31

ARRI Signature Primes 32

The Signature 33

Signature Prime Lens Manufacturing 34

Building Signature Primes 35-36

LDS-2 Lens Data System 37

Lens QC 38

Image Testing 39

New LPL Mount 40

PL-to-LPL Adapter 40

LPL and PL Lenses on ALEXA LF 41

LPL Lenses on ALEXAs, Mini & AMIRA 41

PL-to-LPL Adapter 42

Sensor Modes 43

Frame Rates and Resolution 44

16:9 UHD Sensor Mode, Image Ø & Illumination Circle 45

Frameline Composer 46

Framing Chart and Cropping in Post 47

Framelines 48

Large Format Math 49

ALEXA LF Test by Matias Boucard 50-55

The ALEXA LF System 56-57

Aspect Ratio Independence 58

ARRI ALEXA LF Camera Views 58

ALEXA LF Dimensions 59

ARRI Large Format Credits 60

ALEXA LF Specifications 61-63

How Full Frame Came to Be 64

Full Frame DSLR & Mirrorless Still Cameras 65

Full Frame Sony 66

Large Format ARRI 67

Large Format RED 68

Large Format Panavision 69

VENICE Breaking News 70

Sony VENICE Imager Modes 71

Gods of Focus Speak about Preston LR 2 72-74

Aaton-Digital and Transvideo 75

Massis, Monstro, Mont Blanc 76-79

Loumasystems – Recent Jobs 80-81

PhotoCineView 82-83

Panasonic EVA1 PL Mount from Wooden Camera 84

Hawk Trilogy 85-87

“Obusebito” 88-89

DaVinci Resolve for DPs and DITs 89

Guillaume Deffontaines, AFC and Leica M0.8 Lenses 90-91

ClearLEE Filter Wash 92

Ronford-Baker Atlas 50 92

703 Bolt Wireless Monitor 93