IBC 2019 Edition

• Canon EOS C500 Mark II – Full-Frame 5.9K 4
• Size Comparison: Canon C500 Mark II and C700 FF 5
• Canon C500 Mark II — Body Parts 6
• Canon C500 Mark II in Minimalist Mode 7
• Canon C500 Mark II — User Interchangeable Lens Mounts 8
• Expansion Unit EU-V2, LCD Monitor, Handle, GR-V1 Grip 8
• Canon C500 Mark II Connections 9
• Canon C500 Mark II Recording Formats and Speeds 10
• Slow & Fast Motion 10
• Canon Cinema RAW Light 11
• Sensor Modes 11
• Recording Formats: Relative Sizes 11
• Canon EOS C500 MKII Specs 12
• Canon EOS C500 MKII Production Stills by Jacob Niblett 13
• ARRI ALEXA Mini LF 14
• ARRI ALEXA Mini LF Studio Mode, Top View 15
• ALEXA Mini LF Handheld, Front View 15
• ARRI ALEXA Mini LF Studio Setup 16
• ARRI ALEXA Mini LF Handheld Setup 17
• Servicevison New K35 18
• Servicevision Scorpiorama 70  Full-Frame 1.65x Anamorphics 19
• AJA Ki Pro GO 20
• Aaton Intelligent Handgrip, Aaton and Transvideo News 21
• Elisabetta Cartoni and the Cartoni MAXIMA 5.0 22-23
• Sony PXW-FX9 24-27
• Sony FX9 Full-Frame compared to FS7 II Super35 27
• Sony FX9 Ergonomics 28
• Sony FX9 with XDCA-FX9 Extension Unit 29
• Sony FX9 30
• Sony F EC 16-35mm T3.1 G Cinema Lens 30
• Sony FX9 at 8,000 feet in Granby, Colorado 31
• SmallHD Cine7 RED Camera Control 32
• Small4K 33
• Teradek Bolt 4K MAX 33
• Panasonic LUMIX DC-S1H Full-Frame 6K 34-35
• Discussion with Panasonic S1H Design & Engineering Teams 36
• Panasonic LUMIX DC-S1H Views 37-38
• Atomos RAW over HDMI from Lumix S1H 39
• Atomos Shogun 7 40
• IDX IPL Series Stackable Batteries 41
• Blackmagic Pocket Cinema Camera 6K 42-44
• Blackmagic Pocket Cinema Camera 6K Specs 45
• Kazuto Yamaki, SIGMA CEO 46-47
• SIGMA Full-Frame Classic Art Primes 48-50
• SIGMA FF High Speed Cine Lens Art Primes 51
• SIGMA PL to L-Mount Converter 52
• SIGMA fp as Director’s Viewfinder (and PL mount Cine Camera) 52
• SIGMA fp 14-bit RAW Still Camera & 12-bit RAW Cine Camera 53
• SIGMA fp Full-Frame Camera 54
• FUJIFILM GFX100 with PL Mount 55
• FUJIFILM GFX100, ALPA PL, XO, Premista 28-100mm T2.9 56
• FUJIFILM GFX100 and ALPA XO 57
• What does Angénieux know about Primes? Ask Orson Welles. . 58
• Band Pro tests Angénieux Optimo Primes 59-60
• Angénieux Optimo Primes 61
• Angénieux Optimo Prime 40mm Framegrabs 62-63
• Cooke Anamorphic, Canon C700 FF, Holleran 64
• Holleran, Cooke, Canon C700 FF, Easyrig Vario 5 65
• Cooke Anamorphic, Canon C700 FF, Preston LR2 66
• Ronford-Baker Atlas 7, Atlas 50, Slider 67
• LEITZ THALIA-T 90mm 68
• LEITZ THALIA-T 90mm Frames 69-70
• LEITZ THALIA-T 90mm. Not Just for Portraits. 71
• ZEISS Supreme Prime 150mm 72
• ZEISS Burbank 73
• Anton/Bauer Dionic 26V Series 74
• Anton/Bauer Titon-SL 14.4 V Series 74
• Wooden Camera 26 V Gold Mounts 75
• Wooden Camera LPL Mounts for Cameras 76
• Graduating from IRND to Tiffen Full Spectrum NATural ND Grads 77
• DENZ OIC FF 78
• SHAPE Cages, Batteries and Chargers 79
• cmotion cPRO camera control & cvision 80
• Bright Tangerine Left Field Cage for Canon EOS C500 Mark II 81
• Tilta Armor Man 3 82
• Canon DP-V3120 4K Reference Display 83
• Kino Flo and the Planckian Locus: Turning Tables on LUTs 84
• Easyrig STABIL 85
• ARRI Orbiter 86
• Trading Faces: ARRI Orbiter Options 87
• ARRI Orbiter Software, Control Panel, Connections 88
• OConnor Ultimate 1040 flowtech100 System 89
• RED RANGER HELIUM & RANGER GEMINI 90
• Jarred Land on RED RANGER HELIUM & RANGER GEMINI 91
• RED RANGER Family 92
• IB/E Optics SmartFinder Pro 93